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Bergin, Paul. "Andy Warhol: The Artist as Machine." Art Journal, Vol. 26, No. 4, (Summer 1967): 595-563.
Bliwise, Robert J. "Seeing Red: Can we understand Rothko's work without decoding his favorite color?."American Scholar, Spring 2011.
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Columbia Electronic Encyclopedia, 6 ed. "Abstract expressionism." 2011. http://web.ebscohost.com.proxy.wexler.hunter.cuny.edu/ehost/detail?sid=a7a514cc-f894-4d8f-9aea-c7be62e79a90%40sessionmgr4&vid=17&hid=17&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=a9h&AN=39041723 (accessed October 9, 2011).
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“Landscapes from the Age of Impressionism.” Ohio: Akron Art Museum. N.d. http://akronartmuseum.org/articles/2519/90/
Miller, John E. "Rose Wilder Lane and Thomas Hart Benton: A Turn Towards History during the 1930s," American Studies, Vol. 37, No. 2, Fall 1996.
Morris, Andy. "The cultural geographies of Abstract Expressionism: painters, critics, dealers and the production of an Atlantic art." Social &
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Samu, Margaret. "Impressionism: Art and Modernity". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/imml/hd_imml.htm (October 2004)
Schimmel, Paul. "Figuring Out the Fifties." In The Figurative fifties: New York figurative expressionism. Newport Beach, Calif.: Newport Harbor Art Museum :, 1988. 37-51.
Sutley, Jane. "Pollock without Paint."Arts & Activities 149, no. 2 (2011): 34-35. http://web.ebscohost.com.proxy.wexler.hunter.cuny.edu/ehost/detail?vid=8&hid=13&sid=75dd1859-b09a-406c-885e-8c5d3be8b350%40sessionmgr13&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=a9h&AN=61989032 (accessed November 12, 2011).
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UVA. "Depression-era Regionalism." Accessed November 12, 2011. http://xroads.virginia.edu/~ma98/haven/wood/depreg.html.
Wallace-Wells, David. "Splatter-Day Saints." Newsweek, October 4, 2010. http://web.ebscohost.com.proxy.wexler.hunter.cuny.edu/ehost/detail?
vid=4&hid=19&sid=c1397da7-9375-4461-8b05-3d7e0ab82d50%40sessionmgr4&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=a9h& AN=54015721 (accessed November 2, 2011).
Weinberg, H. Barbara. "American Impressionism". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/aimp/hd_aimp.htm (October 2004)
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Adams, Henry. "Decoding Jackson Pollock." Smithsonian 40, no. 8 (2009): 58-60. http://web.ebscohost.com.proxy.wexler.hunter.cuny.edu/ehost
/detail?sid=a7a514cc-f894-4d8f-9aea-c7be62e79a90%40sessionmgr4&vid=10&hid=17&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=a9h&
AN=44746045 (accessed October 24, 2011).
Appleyard, Bryan. 2011. "A ONE-MAN MARKET." Economist 400, no. 8757: 14-19. Academic Search Complete, EBSCOhost (accessed November 17, 2011).
Bergin, Paul. "Andy Warhol: The Artist as Machine." Art Journal, Vol. 26, No. 4, (Summer 1967): 595-563.
Bliwise, Robert J. "Seeing Red: Can we understand Rothko's work without decoding his favorite color?."American Scholar, Spring 2011.
http://web.ebscohost.com.proxy.wexler.hunter.cuny.edu/ehost/detail?vid=19&hid=21&sid=c1397da7-9375-4461-8b05-3d7e0ab82d50%40sessionmgr4&
bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=a9h&AN=59235741 (accessed November 11, 2011).
“Characteristics of American Impressionism”. In On-Line Learning The Fox Chase. Florence Griswold Museum. N.d. http://www.flogris.org/learning/foxchase/html/about_impressionism.php
Columbia Electronic Encyclopedia, 6 ed. "Abstract expressionism." 2011. http://web.ebscohost.com.proxy.wexler.hunter.cuny.edu/ehost/detail?sid=a7a514cc-f894-4d8f-9aea-c7be62e79a90%40sessionmgr4&vid=17&hid=17&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=a9h&AN=39041723 (accessed October 9, 2011).
Danly, Susan, and Leo Marx, eds. The Railroad in American Art: Representations of Technological Change. Cambridge: The MIT Press, 1988.
"deKooning, Elaine." Kemper Museum of Contemporary Art. http://www.kemperart.org/permanent/works/deKooningElainewindow.html (accessed November 14, 2011).
Dennis, James M. Renegade Regionalists: The Modern Independence of Grant Wood, Thomas Hart Benton, and John Steuart Curry. Madison: University of Wisconsin Press, 1998.
Fendrich, Laurie. "Scene It All."Chronicle of Higher Education 57, no. 41 (2011): B6-B9. http://web.ebscohost.com.proxy.wexler.hunter.cuny.edu/ehost
/detail?sid=b932a8a3-11c1-4175-84a5-302582a52a07%40sessionmgr14&vid=7&hid=17&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=a9h&
AN=64309225 (accessed October 14, 2011).
Glazer, Diane L. 2009. "AMONG FRIENDS: ITALIAN FUTURISM COMES TO AMERICA." New Sound: International Magazine For Music no. 34: 62-75. Academic Search Complete, EBSCOhost (accessed October 19, 2011).
Haverstock, Mary Sayre. "Foreword." In George Bellows An Artist In Action, by Mary Sayre Haverstock, 8-9. London: Merrell Publishers Limited, 2007.
Hughes, Robert. 1996. "The epic of the city." Time 147, no. 8: 62. MAS Ultra - School Edition, EBSCOhost (accessed December 10, 2011).
"Industrial Revolution." Columbia Electronic Encyclopedia, 6Th Edition (November 2011): 1-2. Academic Search Complete, EBSCOhost (accessed November 5,
2011).
Jaffee, Barbara. "Jackson Pollock's Industrial Expressionism." Art Journal 63, no. 4 (2004): 68-79. http://web.ebscohost.com.proxy.wexler.hunter.cuny.edu
/ehost/detail?sid=a7a514cc-f894-4d8f-9aea-c7be62e79a90%40sessionmgr4&vid=6&hid=17&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=a9h&
AN=15492181 (accessed October 23, 2011).
Johnson, Mark M. 2008. “American Impressionism.” Arts and Activities 143, no. 3: 25. MasterFILE Premier, EBSCO host (accessed December 10, 2011)
Johnson, Paul. Modern times: the world from the twenties to the nineties. Rev. ed., 1st HarperPerennial ed. New York, N.Y.: HarperPerennial, 1992.
“Landscapes from the Age of Impressionism.” Ohio: Akron Art Museum. N.d. http://akronartmuseum.org/articles/2519/90/
Miller, John E. "Rose Wilder Lane and Thomas Hart Benton: A Turn Towards History during the 1930s," American Studies, Vol. 37, No. 2, Fall 1996.
Morris, Andy. "The cultural geographies of Abstract Expressionism: painters, critics, dealers and the production of an Atlantic art." Social &
CulturalGeography 6, no. 3 (2005): 421-437. http://web.ebscohost.com.proxy.wexler.hunter.cuny.edu/ehost/detail?sid=c1397da7-9375-4461-8b05-
3d7e0ab82d50%40sessionmgr4&vid=10&hid=19&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=a9h&AN=17321648 (accessed November
7, 2011).
"Norris Embry - Biography." Norris Embry Estate. http://www.norrisembry.com/biography.html (accessed November 13, 2011).
"Norris Embry - Online Collections." Norris Embry Estate. http://www.norrisembry.com/online_collection.html (accessed November 13, 2011).
Pavia, Philip. It Is, Fall 1959. 29-30. Second Half Publishing Co., New York: 1959.
Pendeville, Brendan. "Introduction: Realism and its Meanings." In Realism in 20th Century Painting, by Brendan Pendeville, 7, 8, 9, 13, 15-17, 21. New York: Thames and Hudson Inc., 2000.
Samu, Margaret. "Impressionism: Art and Modernity". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/imml/hd_imml.htm (October 2004)
Schimmel, Paul. "Figuring Out the Fifties." In The Figurative fifties: New York figurative expressionism. Newport Beach, Calif.: Newport Harbor Art Museum :, 1988. 37-51.
Sutley, Jane. "Pollock without Paint."Arts & Activities 149, no. 2 (2011): 34-35. http://web.ebscohost.com.proxy.wexler.hunter.cuny.edu/ehost/detail?vid=8&hid=13&sid=75dd1859-b09a-406c-885e-8c5d3be8b350%40sessionmgr13&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=a9h&AN=61989032 (accessed November 12, 2011).
“Tour: American Impressionists of the Late 1800s and the Early 1900s.” In The Collection: National Gallery of Art. Washington D.C.: National Gallery of Art, 2011. http://www.nga.gov/collection/gallery/gg70/gg70-over1.html#jump
UVA. "Depression-era Regionalism." Accessed November 12, 2011. http://xroads.virginia.edu/~ma98/haven/wood/depreg.html.
Wallace-Wells, David. "Splatter-Day Saints." Newsweek, October 4, 2010. http://web.ebscohost.com.proxy.wexler.hunter.cuny.edu/ehost/detail?
vid=4&hid=19&sid=c1397da7-9375-4461-8b05-3d7e0ab82d50%40sessionmgr4&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=a9h& AN=54015721 (accessed November 2, 2011).
Weinberg, H. Barbara. "American Impressionism". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/aimp/hd_aimp.htm (October 2004)